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Julian Rome  …  JAMES SPADER
Dr. Kate Brecher  …  JANINE ESER
Dr. Michael Straub  …  JOHN LYNCH
Nyla Olson  …  LESLIE STEFANSON
Dr. Alexi Gierach  …  NIKOLAI BINEV
Grisham  …  CARL LEWIS
Pilot  …  ANTHONY CRIVELLO
Shelly Klein  …  AIMEE GRAHAM
Dr. John Bachman  …  ROY DOTRICE
Secretary Bayer  …  KEIR DULLEA
Copeland  …  JOEL POLIS
Abell  …  STU CHARNO
Gordon Osler  …  BERT EMMETT
Dacia Pertrov  …  SVETLA VASILEVA
Co-Pilot  …  KALOYAN VODENICHAROV
Navigator  …  RUFUS DORSEY
Airman  …  GEORGE STANCHEV
Sam  …  WOODY SCHULTZ
First Man  …  RONALD KRAUSS
Second Man  …  WILLIAM SKINNER
Third Man  …  FRANKLIN VALLETTE
Fourth Man  …  HRISTO ALEKSANDROV
Falkland Man #1  …  ROSS CLARKSON
Falkland Man #2  …  WILLIE BOTHA
Kitt Peak Man #1  …  TYRON PINKAM
Kitt Peak Man #2  …  ATANAS SREBREV
Reporter  …  MARIANA STANISHEVA
Kapitan Sokolov  …  DOBRIN DOSEV
X.O. Volkov  …  ATANAS ATANASOV
Navigator Petrenko  …  HRISTO SHOPOV
Army General  …  HARRY ANNEACHKIN
Alien  …  VELIMIR VELEV

SCI FI Pictures
Nu Image
Sandstorm Films

Screenplay by
J.S. CARDONE

Story by
J.S. CARDONE and BOAZ DAVIDSON

Directed by RON KRAUSS

Executive Producers
AVI LERNER, DANNY DIMBORT, TREVOR SHORT, J.S. CARDONE

Producers
CAROL KOTTENBROOK, SCOTT EINBINDER, BOAZ DAVIDSON, DANNY LERNER

Associate Producers
CRAIG ANTIOCO, DYLAN TARASON

Director of Photography
DARKO SUVAK, H.F.S.

Editor
AMANDA I. KIRPAUL

Music
TIM JONES

Casting
MARY JO SLATER

Art Director
VALENTINA MLADENOVA

Production Designer
Wm LADD SKINNER

Costume Designer
KATHERINE JANE BRYANT

Visual Effects
SCOTT COULTER, SIMEON ASENOV
Worldwide FX


Special Effects Supervisor
WILLIE BOTHA

Special Makeup Effects
BRIAN WADE, PAUL ELLIOTT
Make-Up & Effects Lab, Inc.


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AT THE ENDS OF THE EARTH,
     IT'S THE END OF THE WORLD...


It began with that celebrated UFO incident in the New Mexico desert nearly 50 years ago — an event that became an icon. Not that an ill-fated ham-radio operator and his protective dog wanted to be part of it....

Cut to the present day: Satellite imagery detects an anomalous mass six meters long by three meters wide, buried within the Antarctic ice shelf — and emitting radio signals. Crews at the Rundell Peak research station near the South Pole dig it out and bring it in. As scientists wait for the ice around the mass to melt, spectrographic analysis reveals something unexpected: The radio signals are non-random.

University of California, Berkeley: Linguistics professor DR. JULIAN ROME (James Spader) is called in to the office of his boss, DR. JOHN BACHMAN (Roy Dotrice, TV's Beauty and the Beast). It's not, as Julian fears, about that long-ago trouble involving a young co-ed. It's about his days — also long past — as a decoding cryptologist with the government's Search for Extraterrestrial Intelligence project (SETI). Bachman tells him about the exhumed object, and that the esteemed DR. ALEXI GIERACH (the marvelous Nikolai Binev) has invited Julian to the Antarctic to help them understand what the radio signals might be trying to communicate.

Not that, when he gets there, most of the staff think it's communicating anything, or that Julian is anybody. DR. MICHAEL STRAUB (John Lynch, In the Name of the Father, The Secret of Roan Inish), a chief scientist on a genetically engineered crop project, chides the beaten-down Julian as an "alien hunter." And DR. KATE BRECHER (Janine Eser, the miniseries Merlin and Alice in Wonderland) is downright hostile, for understandable reasons — she was the co-ed from Rome's past. "There's four women here," she tells him tersely. "Try not to set any records."

He wouldn't have had time to, whatever his inclination. As the encrypted message becomes clear and as nightmares become premonitions, the ice-station crew begins to realize the danger it faces, and the terror that is hidden in the code — all leading, in a complex and suspensful drama, to a global pandemic, a U.S.-Russian failsafe, human betrayal, rekindled romance and the end of the search for extraterrestrial intelligence.

The supporting cast also includes Aimee Graham (Timecode, Brokedown Palace, Perdita Durango), the actress sister of Heather Graham; Carl Lewis (Speed Zone!, Atomic Twister), the Olympic track star and sometime-actor; and, as the Secretary of Defense, SF legend Keir Dullea — astronaut Dave Bowman in 2001: A Space Odyssey. "That film is a great inspiration to me," says director Ron Krauss, "and I wanted part of that to ring through my film. Not just with Keir, but also through the film's tone of isolation."

Helping create that tone was the film's real-life isolated location shooting, in Bulgaria. "I arrived in a blizzard in the heart of winter," Krauss recalls. "It was a pitch-black evening with very few lights on the road. It felt like I had just arrived in the perfect setting for our story." The ambitious script called for a five-level underground facility, a 25-foot ice block and corn fields hundreds of yards long — large sets by any standard. "Rundell Peak Station was built at Slavia Studio, and our corn field and submarine set were built at Boyana Studio, which was an old Russian movie studio," Krauss says. "There were several stages there with production going on from all over the world. Their stages were equipped and as functional as most of the stages I have seen at the studios here in the states."

As for the Eastern European crew, Kruass had seen on a previous visit "that the craftsmen were highly skilled in set-building and model-making. They could be as good if not better than Hollywood if they were given the right direction." Among those providing direction were Wm Ladd Skinner, the production designer of U-571 and the art director of Dances with Wolves, 12 Monkeys, Pearl Harbor and K-19: The Widowmaker, and Brian Wade, whose special-effects makeup graced grace John Carpenter's The Thing, Enemy Mine, A Nightmare On Elm Street 4: The Dream Master and other films; Wade also designed the Vulcan and Klingon prosthetics on two Star Trek movies.

But beyond even the impressive cast and the visual effects is the story: a complex, suspenseful drama exploring the human heart at the center of the quest for life beyond our own.


SCI FI Pictures