Mylene doesn't have much personality, apart from being calm, capable and a bit conceited. But the series itself has personality to spare. Animated in an exaggeratedly cartoony style that owes some stylistic influences to
Astro Boy creator Osamu Tezuka and
Lupin III mastermind Monkey Punch,
009-1 features characters that look more like Muppets or roosters than people, with broad flapping mouths, built-in smirks and long floppy bodies. Mylene herself has outsized breasts and surprisingly broad hips, and she frequently stands in positions that emphasize both. She gets an assist from the stylish direction, which sets images at odd angles, concentrates on extreme close-ups and shows characters from the neck down, or from extreme low angles that provide plenty of fan service. Frequent blood sprays (though no actual gore) and a fast-cutting action mentality help complete the picture:
009-1 is ostensibly about spycraft and the war between nations, but at a base level, it's all sex, death and snappy style.
009-1 isn't the average cheesecake-and-guns show, though. The scripts are smart and twisty, with the requisite number of double-crosses, big reveals and behind-the-back plots. And when all else fails, there are plenty of technological surprises: a cornered cyborg might suddenly eject a smoke cartridge from her knee or rearrange her pliable face to reveal a new one. Mylene herself is full of surprises of a different sort: She's confident enough in her capabilities that she doesn't mind taking time out to examine a situation, ask questions and complicate the scenario by getting to know her enemies better. (Or by having sex with them, either to sneak secrets out of them or just for fun.)
The bouncy, sudden twists can be a lot of fun, and the show is clever about engaging action fans without giving anything away: Frequently, it cuts straight into an action scene without explaining what's going on until that action is resolved. And the jazzy, perky score sets an energetic tone designed to keep viewers' blood flowing.
009-1 could stand to be a little less strictly episodic, and a little less focused on Mylene's buttocks, but overall it's a swinging good time, straight out of the '60s but with a minor modern flair.
This reminded me strongly of Giant Robo, another retro/recent series with a lot of style and larger-than-life protagonists. That series had a lot more breast-beating emotion than this chillier 12-episode show, but they seem to come out of the same sort of mentality. Tasha