Van Gelder writes that throughout the magazine's 50 years, the only formula the editors of F&SF have followed is to try to find and publish the best fantastic literature available. This anthology is characteristic of the magazine's diversity, containing stories ranging from anthropological science fiction (Ursula K. Le Guin's "Solitude") to fairy tales (Rachel Pollak's "The Fool, the Stick, and the Princess"). About all that's missing is hard SF and medieval fantasy. The stories selected display F&SF's longstanding preference for stories with an emphasis on literary values and precise writing, a founding principle of the magazine.
The anthology contains several major award winners, including Nebula Award winners "Last Summer at Mars Hill" by Elizabeth Hand, Le Guin's "Solitude," "Lifeboat on a Burning Sea" by Bruce Holland Rogers, and "A Birthday" by Esther M. Friesner. Other important stories include Bruce Sterling's "Maneki Neko," Gene Wolfe's "No Planets Strike," S. N. Dyer's "Sins of the Mothers," John Crowley's "Gone," Robert Reed's "First Tuesday," Bradley Denton's "We Love Lydia Love," Dale Bailey's "Quinn's Way," Terry Bisson's "The Partial People," and a pair by two SF legends, Harlan Ellison's "Sensible City" and Ray Bradbury's "Another Fine Mess."
Not quite a retrospective, but still great
Although Van Gelder's explanation for assembling this five-year collection--rather than a 50-year retrospective--does have some merit, it seems that a wider ranging F&SF anthology would have been well worth creating. Still, it's hard to be disappointed with the results of their decision. The Best of Fantasy and Science Fiction: The Fiftieth Anniversary Anthology is an outstanding anthology. Almost every story is an expertly crafted, distinctive piece that showcases how vibrant and elegant fantastic literature can be in the hands of its best writers.
Le Guin's "Solitude," in which the daughter of an anthropologist grows up knowing only the primitive culture her mother is studying, is the best story in the book. It's a very personal, and ultimately very painful, story of cultural separation within a family. Hand's "Last Summer on Mars Hill" is a character-driven story, in which two teenagers with dying parents console each other during a summer at a magical New England commune. Crowley's "Gone" takes a different, and brilliant, approach to the alien invasion story, intertwining the anxieties in a woman's life with the persistence of aliens trying to convince humans to accept their vague offers to take over.
Bailey's "Quinn's Way" is another fine character-driven story that explores domestic abuse in a small West Virginia town in the 1940s. McHugh's "The Lincoln Train" takes an alternate approach to alternate history, focusing on the effects on individuals in a post-Civil War world in which Lincoln survives the assassination attempt, but is incapacitated. One of the more provocative and unusual pieces is Bisson's short-short, "The Partial People," a viciously elegant satire in the tradition (though not the style) of Jonathan Swift's "A Modest Proposal."
All in all The Best from Fantasy and Science Fiction: The Fiftieth Anniversary Anthology is a wonderful celebration of the recent history of one of science fiction's great magazines.
I started reading F&SF just before its 30th anniversary, and still have the retrospective anthology published back then. It doesn't seem like that long ago. -- Clint




