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The Conqueror's Child

Sex, love and violence in a dystopian future

* The Conqueror's Child
* By Suzy McKee Charnas
* Tor Books
* $24.95/$35.95 Canada
* Hardcover, May 1999
* ISBN 0-312-85719-5

Review by Tamara I. Hladik

Conqueror's Child is the fourth book in Suzy McKee Charnas' Holdfast series. Like a smith at the forge, Charnas hammers out a neo-rustic dystopia where males brutally dominate females through rape-torture, forced labor and sadism.

Our Pick: B+

Previously in the series, the fem-slave Alldera escaped from the men-cities into the grassland wilderness, where she was adopted by the Riding Women. This nomadic, genetically altered society is completely devoid of males--it reproduces without them and gives birth to only females. Members of this society also ride fabulous beasts called horses (large animals died off long ago in the Great Wasting). These females have never known slavery and are clannish and fierce, deadly with the bow and lance. With their help, Alldera invades the men-cities and frees the fems.

The Conqueror's Child begins here, with the story of Sorrel, Alldera's daughter. Rape-conceived during Alldera's slave-days but born and raised free among the Riding Women, Sorrel yearns for a relationship with her hero-mother. Sadly, they hardly know each other. For years Alldera kept Sorrel safe among the unisex riders while she built a new society in the former, distant men-cities.

Though safe, Sorrel feels herself a misfit--a conqueror's daughter who has never known battle. She bonds with a fellow misfit among the Riding Women, an orphaned male child of another escaped slave. Because he is shunned by the unisex horsewomen, Sorrel adopts him, resolving to find him a better life. With the child astride behind her, Sorrel rides out for the cities where fems now rule and men still live.

But the way is dangerous, for violent men still run free. And there's danger too, in reunions. Sorrel will not only meet her mother, but will connect with two men who raped Alldera. Either could be Sorrel's father, and either could betray her.

When the slaves take over

The Conqueror's Child is a book whose appeal spans two genres. Readers of both science fiction and women's studies will find it a powerful read, in which institutionalized violence is examined through its very personal effects. Indeed, this is one of Charnas' strengths: the ability to show, whether in the sweep of war or in the bilious comfort of an old, individual grudge, that violence is always personal.

The writing of this series has taken some 30 years, which displays some dedication to the oeuvre (among others, Charnas wryly thanks misogynists for inspiring her to keep working). But this should not deter anyone who has read none of the previous installments, Walk to the End of the World, Motherlines and The Furies. The Conqueror's Child is a complete enough story on its own. However, the richness of this world's past can only add to the understanding of the novel. Some relationships (like that between Alldera and her rapists) churn the plot forward and are just a small bit poorer if readers have not read previous passages of betrayal, torture and endurance.

There is irony in Charnas' artistry, though. For all the skill in conveying the rococo permutations of violence, its effects and surprising pathologies, the characters as a whole could be crafted more vividly. Some of the lesser characters suffer greatly and seem almost interchangeable. If individuals could only be as rich as the epic, this would be a more satisfying read. Nonetheless, the themes it dissects--sexuality, violence, love--are managed with ample talent. Charnas illustrates, but never pontificates.

Indeed, this book and its series are--currently--vastly under-considered in the pantheon of the SF greats. For all its vision in examining the effects of technology on future life, SF has come up chronically short when it comes to extending that vision to relationships and sexuality. A puzzlement and embarrassment Charnas has been steadily correcting.

Now that the slaves have made themselves free, a new problem arises. How are they to build a new society with the men who betrayed them? Synergy between warring factions is always a thorny problem, with no easy solutions, ever. -- Tamara

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The Dragon's Eye

A spy comes in from the cold and turns up the heat

* The Dragon's Eye
* By Joel Champetier
* Tor Books
* $23.95/$34.95 Canada
* Hardcover, May 1999
* ISBN 0-312-86882-0

Review by Nalo Hopkinson

There is a habitable planet orbiting the orange star of the Epsilon Bootis binary, only the fifth known extrasolar world that's capable of supporting life. But, because it has high levels of radiation and low concentrations of metals, the Western powers decide it would be too expensive to colonize.

Our Pick: B+

Not so China. Rural Chinese want to return to the Taoist and Confucianist teachings that had once made China great, and they resent Beijing's governance, which imposes strict birth control policies. They begin the "Great Leap" to the planet, which they name New China. The colonists go heavily into debt to finance the emigration, borrowing first from China, then Japan, then the Europeans. These countries all infiltrate the leadership of New China to keep tabs on the soundness of their investment. It's a tactical game of spy and counter-spy.

Heating up the action of the novel is the titular Dragon's Eye, an A2 blue-white dwarf that is one of the planet's two suns. When outdoors, New China residents must be fully covered at all times with protective clothing. The simple act of removing a hat is dangerous. Many go blind every year from staring at the sun.

As the colony grows, so does resentment between New China and its creditors. Rejean Tanner, a European agent, is sent to contact another agent who has managed to secure a trusted position at the highest level of New China government. Tanner's contact is on the move and mysteriously silent. Disguised as Han Chinese, Tanner tries to locate the contact as relations between New China and Earth rapidly deteriorate. Tanner speaks the language but doesn't really know the customs, he doesn't trust the assistant he's been hastily assigned, and he has to make quick decisions without any communications from his office. To make the situation even muddier, he thinks he's falling in love with a gangster's girl...

Analysis and action

In The Dragon's Eye, author Joel Champetier imaginatively projects how influences on contemporary Chinese culture might affect the structure of a Chinese colony in the future. His New China is a vividly drawn collage that impacts on all the senses. The novel recognizes the tensions, divided loyalties, and pressures that will confront those who try to build a new world from the legacy of one of the oldest, most accomplished cultures on Earth.

Champetier also uses the double-star system of New China to tantalizing effect. The two stars create strange phenomena: ethereal auroras that mask radio transmissions, and the increasing appearance of devastating multiple tornados. It appears that New China has surprises in store for its colonists, and there would be much to explore in a sequel.

The Dragon's Eye also combines an analysis of a complex society with an action-filled plot. Rejean Tanner is a loyal employee just trying to a good job, but he ends up being an agent of mayhem in the lives of the people he touches. He's a moral man who does immoral things. That dilemma--combined with the novel's sometimes gruesome high-tech toys--will prompt comparisons to the earlier work of Champetier's fellow Canadian author Terence Green. However, where Green's novels Barking Dogs and Blue Limbo had a deliberately hard-boiled quality, The Dragon's Eye maintains a formal decorum, even when describing distressing events.

Readers might be tempted to put the formal tone of the novel down to its being a translation, but since Champetier's fluently bilingual, it's more likely to be a deliberate effect; one which nicely captures the alienation of the protagonist. Rejean Channer is a man trying to function in a society that's foreign to him. His every act is an act of translation.

With his first novel in English, Joel Champetier will seem like a newcomer on the Anglophone scene, but with 11 novels in French already under his belt, his skill at building a story to a strong climax is evident. -- Nalo

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