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Greetings, Carbon-Based Bipeds!

Sir Arthur C. Clarke gets up and down and dirty

* Greetings, Carbon-Based Bipeds!
* By Arthur C. Clarke
* St. Martin's Press
* $35.00
* Hardcover, Aug. 1999
* ISBN 0-312-19893-0

Review by Nalo Hopkinson

In 1945, Arthur C. Clarke predicted the development of geosynchronous satellites and projected their use in his technical paper "Extraterrestrial Relays." He foresaw the development of the Internet decades before its appearance. The Dalai Lama phoned him personally after reading Clarke's short story "The Nine Billion Names of God." A collaboration with filmmaker Stanley Kubrick became the novel and film 2001. Steven Spielberg optioned his novel The Hammer of God, out of which came the film Deep Impact. Sir Arthur C. Clarke, now in his eighties, has many more achievements, far too many to itemize here. However, Greetings, Carbon-Based Bipeds!, a selected collection of his essays written over the past 60 years, attempts to give readers an overview of Clarke's most famous and interesting work.

Our Pick: B-

Arranged by decade, the essays include tributes to Robert Heinlein and Gene Roddenberry; a scientific discussion on the importance of the moon to the future of humanity; writings about his beloved Sri Lanka, where he has lived since the '50s; and the hilarious document "The Steam-Powered Word Processor," which Clarke calls a "heavily researched piece of spurious scholarship taken quite seriously by some European readers." "Steam" describes the fictional "almost forgotten engineering genius the Reverend Charles Cabbage (1815-188?), onetime vicar of St. Simians in the Parish of Fat Tottering, Sussex," and his ill-fated invention, the "word loom." Also included is a somewhat tongue-in-cheek piece on the joys of sex in space. Each essay has a short foreword by Clarke.

In essence, the book is a series of snapshots that document the life of one of the best-known science fiction writers of this century. Clarke says, "I have always resisted all journalistic attempts to label me a prophet. What I have tried to do, at least in my nonfiction, is to outline possible futures--at the same time pointing out that totally unexpected inventions or events can make any forecasts absurd after a very few years."

A career in fact and in fiction

In 1944, Clarke (who was knighted in 1998 for "services to literature") could confidently presume that "all science fiction fans are...interested in astronautics." Today the sibling rivalry between science-driven and character-driven SF makes that a shaky presumption. Although all fans of the literature are likely interested in the ways SF extrapolates into the future, many are more compelled by good stories than by scientific rigor. Accordingly, those essays in Greetings, Carbon-Based Bipeds! that are very technical in content will have some readers flipping the pages in search of Clarke's more accessible scientific writing or the anecdotes that convey his character and experiences.

Some of the earlier pieces inevitably reveal a younger, more brash soul. In the 1970s, explaining why he is so fond of Ceylon (now Sri Lanka), Clarke wrote, "There are islands in the Pacific perhaps more lovely and more temperate, but they have no culture, no sense of the past--nothing to engage the intellect...empty, mindless beauty." Hopefully the Clarke of 1999 would be less quick to assert that any group of people is cultureless. Clarke very honestly says in the preface, "Tempted though I occasionally have been to do a little editing, each essay is presented exactly as it first appeared in print. ... Often it has been more interesting see where (and why) I went wrong, than where I happened to be right."

Clarke also takes obvious delight in talking about the renowned persons with whom he associates (including astronauts, scientists, artists and religious leaders). Some readers may be impressed at the many personal stories about famous people. Others may dismiss them as name-dropping.

Despite its shortcomings, however, Greetings, Carbon-Based Bipeds! is clearly a volume that traces a life being lived with vigor and joy.

I found this collection uneven, some of the pieces more satisfying and insightful than others. That is the nature of a work that documents over decades the development of an artist; its value is in what you might learn about the life and interests of a writer whose vision has reached so many. -- N.H.


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