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Battlestar Galactica

Melodies from somewhere beyond the heavens

* Battlestar Galactica
* By Stu Phillips
* Varese Sarabande
* 48:33 Minutes
* MSRP $16.97 CD

Review by Jeff Berkwits

Although it has been two decades since Battlestar Galactica was canceled, SF fans remain incredibly enthusiastic about the classic TV series. Novels and comic books spotlighting the characters are still being issued, and there are two separate efforts underway to bring an updated version of the saga to the big screen. Over the years, Battlestar buffs have also been able to hear renditions of the show's famous theme on various SF music compilations, though the complete score has lately been available only on hard-to-find import or promotional discs. The new, full-length Battlestar Galactica CD therefore offers a rare opportunity to experience the popular program's diverse melodies.

Our Pick: B

For this album, original series composer Stu Phillips has rerecorded over two dozen cues used in the show's debut adventure. "Prologue/Main Title" opens the collection with both tranquil and thunderous passages, hinting at the isolation, excitement and danger facing the crew of the "ragtag, fugitive fleet." Action-packed cuts like "The Destruction Of Peace" and "Cylon Attack/The End Of Atlantia" feature rousing horns and frantic strings, appropriately emphasizing the energetic elements of the tale. These selections are interspersed with softer, slower numbers such as "Sex At Last/Cassiopeia & Starbuck" or "Symptoms/Boxey's Problems/Serena's Illness," which, as implied by their descriptive titles, complement highly emotional or humorous scenes.

Most of the compositions are presented in linked groups of two or three cues, although a few tracks, like the triumphant "Battlestar Galactica Theme," are rendered as stand-alone works. The liner notes provide a succinct production history and miscellaneous images from the program. A two-page photo montage also showcases Phillips conducting the Royal Scottish National Orchestra--the ensemble used for this recording--and the Los Angeles Philharmonic, the troupe which performed the original Battlestar Galactica score back in 1978.

20 yahrens old, but still enjoyable

A year or so after the release of Star Wars, prime-time television was awash with science fiction programming. Most of those shows were quickly forgotten, yet Battlestar Galactica continues to be a beloved favorite. Entertaining characters, dazzling special effects and an engaging story--along with years of reruns on The SCI FI Channel--are no doubt primarily responsible for the enduring popularity of the program, but the showy symphonic score also contributes to the series' reputation as a monumental SF saga.

One of the most refreshing cuts on this disc is the "Fighter Launch/Mysterious Derelict/Zac In Trouble" sequence, which juxtaposes both frenetic and fearful cues. Opening with a stripped-down snippet of the "Battlestar Galactica Theme," the music wonderfully expresses the agitation and anticipation felt by the Viper pilots as they leave the fleet to inspect a potentially threatening situation. Menacing strings slowly build, marvelously accentuating the tension, and when the brass suddenly reappears listeners can clearly envision both an unexpected ambush and the ensuing clash. Similarly exhilarating numbers include "Cylon Attack/The End Of Atlantia," "Cylon Freighter/The Trap" and "Escape From The Ovion Mines."

Phillips isn't totally ineffective in generating comparable feelings with quieter cues, but for several reasons these compositions tend to be a bit more mundane. "Adama's Theme/The Residue Of War" presents a rather impotent (though appropriately lonely) melody for Galactica's regal commander, while the brief "Suffering" is so murky it's difficult to connect with the sorrowful emotions the tune obviously seeks to convey. However, even with these weaknesses, Battlestar Galactica is a commendable effort, evoking wonderful musical memories of a television show that, more than 20 years after its demise, remains a truly unforgettable adventure.

Soundtrack purists will undoubtedly protest, but I wish the producers had somehow finagled a way to use the original end narration. For me, the experience isn't quite complete without Lorne Greene reminding fans that Galactica and her fleet are "on a lonely quest--for a shining planet known as Earth." -- Jeff


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