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The Words & The Music Of Frankenstein

Gods, monsters and music

* The Words & The Music Of Frankenstein
* Composed by Franz Waxman and Frank Skinner
* Zombie A Go-Go/Hip-O
* 76:20 Minutes
* MSRP $17.97 CD

Review by Jeff Berkwits

Few movie monsters rate the seemingly universal affection and sympathy bestowed by cinema buffs upon Frankenstein. A misunderstood brute "created from cadavers out of rifled graves," he has become a horror icon, generating panic and pity in audiences around the world. Yet along with extraordinary visual imagery, the early Frankenstein motion pictures also showcased memorable music and dialogue, all of which are captured on a new CD produced and compiled by renowned musician and lifelong "creature feature" fan Rob Zombie.

Our Pick: B

Rob Zombie Presents The Words & The Music Of Frankenstein offers 56 vocal and melodic cues from three notable films: Frankenstein (1931), The Bride of Frankenstein (1935) and The Son of Frankenstein (1939). Most of the tracks are spoken-word selections that feature such recognizable remarks as "It's alive! It's alive!" amidst a whirl of sound effects on a cut titled "Look! It's moving!" There's also the hearty "To a new world of gods and monsters!" toast, hidden in a track titled "You'll Need a Coat." Orchestral numbers, provided by either Franz Waxman (The Bride of Frankenstein) or Frank Skinner (The Son of Frankenstein), are frequently heard playing underneath the assorted voices and noises. Separate main title themes from each movie are also included, along with a few additional interludes such as "Grand Appassionato," "The Hermit's Fiddle (Ave Maria)" and "The Evil Flute (flute solo)."

Dozens of black-and-white photos are displayed in the elegant booklet accompanying the disc, spotlighting rare behind-the-scenes images and promotional stills from the three motion pictures. The cast and crew credits for the films are also listed, along with a brief introductory essay by Zombie noting both the cultural and personal significance of the Frankenstein story.

"I give you, the monster..."

Between the silly high jinks of Frankenstein monster look-alike Herman Munster (from The Munsters TV show) and wacky movies like Young Frankenstein, Mary Shelley's classic character has, in many respects, become little more than a modern-day pop icon. However, when Boris Karloff first appeared as the brutish creature nearly 70 years ago, his heartfelt portrayal of the misbegotten man was truly terrifying. By stripping away the often-parodied visual components of the tale, The Words & The Music Of Frankenstein ingeniously transports listeners back to that bygone era, transforming the sounds of the archetypal trio of motion pictures into an audio extravaganza that's simultaneously frightening and fun.

Perhaps the most enlightening element of the CD is the mixture of pathos and pain evident simply from the statements uttered by the various characters. The childlike innocence of Dr. Frankenstein's forlorn creation is beautifully conveyed in a short, self-explanatory snippet dubbed "Alone - bad, friend - good," and echoed in a similarly lamentable selection titled "She hate me...like others." Subtle yet revealing touches of humor are also apparent, especially in two segments culled from The Bride of Frankenstein, where, early in the picture, Dr. Pretorius (Ernest Thesiger) asks, "Do you like gin? It is my only weakness," only to declare a bit later, "Have a cigar. They are my only weakness."

Throughout all three movies the music is appropriately creepy, although film score aficionados should be forewarned that most of the compositions accompany scenes spotlighting noisy on-screen activities. Regardless, Rob Zombie Presents The Words & The Music Of Frankenstein is an intriguing and enjoyable CD, offering both SF and horror devotees an opportunity to experience this timeless trilogy from a fresh and decidedly pleasurable perspective.

Although Zombie's terse comments in the liner notes are informative, additional passages addressing the societal impact of these motion pictures would've added to my enjoyment of the album. Even more importantly, such insight would have helped place the collection in a better historical and cultural context. -- Jeff


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