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Lexx

This starship sure ain't the Enterprise

* Lexx
* Starring Brian Downey, Xenia Seeberg, Michael McManus
* The SCI FI Channel
* Premieres Jan. 7, 10 p.m. ET

Review by Craig E. Engler

Lexx is an offbeat SF series that requires a bit of explaining. The show started out as four two-hour movies that aired in the United States with the name Tales from a Parallel Universe. Those movies spawned a TV series called Lexx, which first came to prominence on Canada's Space: The Imagination Station. Somewhat confusingly, the first season of the TV series is usually referred to as Lexx Series 2, and it ran for 20 episodes rather than the 22 that normally make up a TV "season" in the U.S. The four movies taken together comprise Lexx Series 1, while the upcoming Lexx Series 3 will actually be the second full season of the TV show. And there's one more oddity to contend with: The character Zev (originally played by Eva Habermann) transforms into Xev (Xenia Seeberg) during Series 2.

Our Pick: C

Now that all of that is out of the way, on to the show: the series is about four misfits in the far future who find themselves flying around the universe in a living starship called Lexx, which is also the deadliest weapon ever created. Lexx was built (well, grown) by an evil being called His Shadow, who ruled the 20,000 worlds of the known universe until said misfits came along and killed him, then absconded with Lexx. Now the four spend their time primarily looking for fun, blowing up lots of moons and running into really strange people. The misfits include: Kai (McManus), the last of the Brunnen-G and an assassin who has been dead for 2,000 years; Xev (Seeberg), a formerly overweight and none-too-attractive bride-to-be who has been given the body of a love slave and the blood of a Cluster Lizard; Stanley Tweedle (Downey), a lowly security guard and failed heretic who is now captain of Lexx; and 790, a robot head who is madly in love with Xev.

The first episode that will air on SCI FI is "Nook," which was actually the eleventh episode shown when the series ran on Space. In "Nook," Xev convinces Stanley to put the Lexx down on an island planet inhabited only by men. Xev is hoping to slake some of her love-slave thirst on the local gentry, but things go awry when Kai finds out the boys are involved in a Name of the Rose-style mystery. The second SCI FI episode is "Mantrid," which aired as the first episode on Space. In "Mantrid," Kai and Zev (the Habermann version) travel to a mysterious planet where one of His Shadow's enemies is being held captive. But His Shadow turns out not to be dead after all, and he's still interested in annihilating humanity.

They should call it Sexx

Lexx is one of the more unusual shows in the science fiction pantheon, and not just because of its interesting history. To start with, Lexx has enough sex in it to qualify for a run on the Spice Channel. Okay, maybe there is no full frontal nudity, but the series isn't shy about showing off every other part of Zev/Xev's body, nor is it shy about discussing sex, which is about all Xev and Stanley ever discuss. Viewers are spared the pillow talk when the show turns its attention to Kai, but only because the dead have no urges. However, if 790 ever finds a body to go with his head, there's no doubt how he and Xev will spend the rest of the series. SCI FI has even named its Lexx special Rated Lexx in recognition of the show's risqué subject matter.

Beyond the sex, Lexx also isn't afraid to explore other subjects considered somewhat taboo, at least by American TV standards. For instance, "Nook" is filled with homosexual themes that might make stodgy viewers a little uneasy, especially when Stanley sets out to explore "brotherly love" with a milk-fed boy on Nook. The show can also be a bit more violent and disgusting than American viewers are used to, which is kind of hard to imagine, given the penchant for violence on U.S. TV. This is especially true in "Mantrid," which features flying amputated arms trying to rip out the organs of a rather large and formerly dead insect monster.

Judging from the first two episodes of Lexx slated to run on SCI FI...well, it's not easy to tell exactly how good this show will turn out to be. It's certainly taking a different path than most SF TV series, which is probably better than just rehashing Star Trek. But Lexx's constant reliance on sex to move the plot along seems like it could get old pretty quickly, and it's not clear that the characters have enough depth to compensate for this weakness. The only one of the misfits who is remotely interesting is Kai, and he's been dead for 2,000 years. Not promising.

However, Lexx has a loyal following outside the U.S., so the series must be doing something right. And even if this isn't a show for everybody, everybody should probably check it out at least once.

As with the four Lexx movies, I'm just not sure what to make of this show. It probably beats watching the Spice Channel, though. -- Craig

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Stuart Little

A person's a person, no matter how small

* Stuart Little
* Rated PG
* Starring Michael J. Fox, Geena Davis, Hugh Laurie, Jonathan Lipnicki, Nathan Lane
* Directed by Rob Minkoff
* Written by M. Night Shyamalan and Douglas Wick
* Columbia Tristar
* 92 Minutes

Review by Joe Monti

The Littles, a 1950s-esque nuclear family, are about to embark upon adopting a child, a new brother for their son George (Lipnicki), as this film adaptation of E.B. White's classic novel Stuart Little opens.

Our Pick: C+

However, upon reaching the orphanage and looking at the children there, the Littles are quickly taken with one unique boy, Stuart (voiced by Fox), who just happens to be a small white mouse, and they quickly adopt him into the family. Once he's brought into the Little family home on the Upper East Side of Manhattan, Stuart is immersed into a new life, a life wholly separate from his idyllic, yet lonely, life in the orphanage. However George, and particularly the family cat Snowbell (Lane), are not too pleased with this strange new member of the family. George refuses to validate Stuart as his brother because he's different, and Snowbell, well...Stuart is a mouse after all!

Stuart is left to deal with his inability to be a human brother, as well as being a mouse with an acerbic cat as a housemate. Yet despite George and Snowbell's misgivings about Stuart, the eccentric but lovable extended Little family immediately embrace Stuart as one of their own, making him feel as if he's living in a fairy tale come to life. Unfortunately, things turn from bad to worse as Snowbell can no longer deal with the shame of essentially living with a mouse who has a pet cat, and calls upon the aid of some street cats to get Stuart out of the picture.

A flawed fairy tale

Filmgoers looking for a faithful adaptation of White's wonderful children's novel will be disappointed. While the film follows some of the basic plot elements, themes, and of course characters, it diverges from the book on several points. Part of this is due to some resistance from White's estate, and the rest can be blamed on Hollywood. However, as most adaptations tend to be disappointing in comparison to the written work upon which they are based, it's best to evaluate the film as a separate endeavor.

Sadly, director Rob Minkoff (The Lion King) hardly utilizes the live actors' talents and instead relies on heavy-handed close-ups and similar techniques to convey emotional moments. In fact, there's more resonance and life in the computer-generated characters voiced by Lane, Bruno Kirby, Chazz Palminteri and others. This is fully evident in Stuart, who is as marvelously voiced by Michael J. Fox as he is crafted by the special effects team.

But the biggest disappointment is not the acting or direction, but the script. In fact, it may be the reason why Davis and Laurie are so static on screen. Here's the kicker--the principal writer for the film is M. Night Shyamalan, the same man who wrote and directed the brilliant The Sixth Sense! The superb storytelling skills he showcased in that film are not evident here. Stuart Little contains very little narrative; it instead jumps from one setup and resolution to another, linked by forced interaction and dialogue. That said, it's a wonderful movie for toddlers and preschoolers: It's non-violent, and its old-fashioned morals are quaint, but it's just not for anyone much older.

I work in children's literature so it's hard not to be disappointed in a less than faithful adaptation of so loved a novel. I also strongly detest the notion that children's books are for children only. So to see a watered-down version that instead tries to portray itself as a modern fairy tale and fails left me wishing I wasn't being talked down to. -- Joe

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