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The Glass Harmonica

A haunting instrument becomes a bridge across time

* The Glass Harmonica
* By Louise Marley
* Ace Books
* $13.95/$19.99 Canada
* Trade Paperback, Sept. 2000
* ISBN 0-441-00729-5

Review by A.M. Dellamonica
E rin Rushton is a virtuosa of the rare glass harmonica, an instrument developed by Benjamin Franklin shortly before the American Revolution. Traveling from city to city, Erin plays music composed by her twin brother, Charlie, making public appearances to further their interdependent careers. It is a demanding lifestyle, made more so by the myths surrounding the glass harmonica. In these stories, those who play the instrument are doomed either to go mad or to die horribly.

Our Pick: A-

Folk tales about the harmonica should be the furthest thing from Erin's mind. She is 23 years old, rapidly outgrowing her celebrity image as a child prodigy. What's more, Charlie--who has been using a wheelchair since he was eight--is about to enter a new treatment program. He may endanger his health in his determination to learn to walk. But when she plays the glass harmonica, strange occurrences distract Erin from these down-to-earth concerns. A young, dark-haired woman hovers on the edge of her vision, and she begins to fear for her sanity after all.

The phantom, however, is not a delusion. Erin is in contact with Eilish Eam, an orphaned musician living in Benjamin Franklin's household. In London in the year 1761, Eilish helps Franklin develop and tune the harmonica. Life with the inventor is safer and more comfortable than any she has ever known, but the more time she spends with the instrument, the worse her health becomes. Frail and alone, she has only her music to console her, and she refuses to give it up.

Will Erin discover the mystery behind her visions of Eilish? Or will someone decide she has fallen prey to the glass harmonica's curse?

Mixture of hope and despair

In The Glass Harmonica, author Louise Marley makes excellent use of her experience in the world of professional music. The small world of the concert circuit in 2018, which dominates Erin and Charlie's lives, is vivid and fascinating. Readers will hear the lushly described music played by both women as Erin and Eilish wrestle with the glass harmonica's alleged demons.

While this novel is less overtly radical than Marley's The Terrorists of Irustan, The Glass Harmonica is not for the faint of heart. Serious concerns dominate the story: slavery, poverty and physical disability are front and center. Much of the action takes place in near-future Seattle, and although the city is brighter and safer than its current real-world counterpart, this progress has come at a horrifying cost. Similarly, Franklin's achievement in creating the glass harmonica takes a heavy toll on Eilish, who receives no credit for the invention. The message is chillingly relevant.

Having said that, the book demonstrates a lighter touch than in Irustan. Marley mixes the tragedy with a good dose of romance, and even her least likable characters reveal admirable hidden qualities. She plays with the parallels between Erin and Eilish's lives in a manner delicate yet explicit. This balancing act holds through the end of the book, harmonizing elements of triumphant success and mournful loss.

By turns sobering and delightful, The Glass Harmonica is a novel that will haunt readers long after they have moved on to less complex fare.

This book just about has it all: great characters, beautiful story and a strong theme. As with Irustan, it leaves me torn between the desire to reread immediately and the hunger for Marley's next outing. -- A.M.

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Also in this issue: Far Frontiers Edited by Martin H. Greenberg and Larry Segriff




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