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Robert Patrick joins The X-Files to find The Truth that is still out there


By Melissa J. Perenson

A t first, Robert Patrick didn't know if he'd be able to join The X-Files. Series creator and executive producer Chris Carter wanted him, but contractual obligations to another series pilot meant that he might have to pass. Fortunately, the other studio let him off the hook, and the way was paved for Patrick--best known for his role as the T-1000 in Terminator 2: Judgment Day--to join the eighth season of The X-Files as the agent in charge of the task dedicated to finding Mulder (David Duchovny). Science Fiction Weekly trusted no one, and pried as many truths as possible from the tight-lipped actor, who did his best to save the surprises for this season's viewers.


Tell us a little bit about your character.

Patrick: John Doggett is a very hard-working, fast-climbing FBI agent. His background is as a United States Marine; he went on after that to be a New York City police detective. He is a knee-jerk skeptic, and he does not believe the X-Files. He's a facts-oriented, sort of blue-collar work ethic type of guy. And he's very well-respected in the FBI community. He has a strong code that he lives by, and he has a great deal of confidence in himself


How much direction has Chris Carter or the producers given you on how to play Doggett, and what direction to take him in?

Patrick: Yeah, they have. A lot of it I can't tell you, because I don't want to reveal too much about the character, because I want people to see the arc of the character. But it's pretty much what I told you in the description of the guy, and that's really how I look at every scene and go about it, with that foundation. It's becoming really, really clear to me, and easier for me too [as we] go. I think we're on our ninth episode right now, or our eighth or something, and I'm starting to really understand how Doggett would react to different situations.


Do you know the context of where Doggett is going to fit into The X-Files universe--and the dynamic when Mulder does return later in the season?

Patrick: I don't. I'm anxiously awaiting, just like the fans. Each week, I'm kind of like, "wow, okay, great, this is where they are now," and "I get this," and "geez, that's great." [Scully and Doggett's] relationship is growing, and Doggett's role is growing, and his perspective on the X-Files and so forth is constantly evolving.



And Scully is learning to trust him?

Patrick: Yeah, she's slowly learning to trust him. Yeah. That's one of the great dynamics as well. When Doggett shows up, she doesn't like him. So he's starting at the bottom.


He has a story arc, even though you don't know what it will be, exactly?

Patrick: There's a definite arc for him, and that's the beauty.


Does Doggett know about Scully's pregnancy?

Patrick: No.


Do you know when he's going to find that out?

Patrick: Yes. Can't tell you.


What can you say about the cases you have worked on?

Patrick: I can't tell you that, other than to say that this is a really scary season.


What's it like working with Gillian Anderson?

Patrick: I think she's just a great gal--a total professional, and my respect for her as an actress is very, very high.



Is it awkward stepping in to fill the void left by the absence of Mulder/Duchovny?

Patrick: Well, I don't see it like that. I see it from the point of view of, David is a fantastic actor, and I understand that he's at a point in his career where he wants to walk away and pursue other interests, and he's a terrific actor. From my point of view, it's very exciting to be a new character introduced, and I'm a part of the ensemble.


Ironically, Duchovny left so he could pursue his film career (among other things). You, on the other hand, come to television after doing nearly 50 films since you began acting in 1984. What made you want to try the genre?

Patrick:: It's just where I'm at as an individual. After my experience [as a guest star] on The Sopranos, [since] I had never done television, I thought after the film career, it would just be kind of nice to have something like this on a steady basis, instead of going from gig to gig to gig, unemployed, employed, back and forth. And that's why I'm here. I had no idea when I told my agents that I wanted to do [TV], that I wanted to find a nice role to do on television, that it was going to be such a wonderful experience and opportunity. And I'm really grateful.



Still, the implications of a new character being introduced under these circumstances could be very daunting for some.

Patrick: All I'm responsible for, as an actor, as a new guy joining the show, is just to work hard and do the best I can. That's my responsibility to myself, and to all of them [at 1013 and The X-Files] as well. And to the fans of the show, to just come in and do what they're making available for me to do, and do it as best as I can.


What do you think is the universal appeal of The X-Files?

Patrick: Well, I think it's a really diverse field: It's neat, it's conspiracies, it's things that aren't normal, it's a phenomenon, it's the dynamic of these people, and it's very intriguing. These are not everyday sort of experiences. And the fact that it's just great writing. What's going on on the surface is the structure of the story, and then the interesting thing here to me are the subplots, what's going on underneath. What is this really about--is this about this, or is it about this?

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Also in this issue: Darren Aronofsky




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