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Unbreakable

Bruce Willis and M. Night Shyamalan create another thriller by relying on their seventh sense


* Unbreakable
* Rated PG-13
* Starring Bruce Willis, Samuel L. Jackson, Robin Wright Penn
* Written, Directed and Produced by M. Night Shyamalan
* Touchstone Pictures
* Premieres Nov. 22

By Patrick Lee

I n 1961, a baby is born in the dressing room of a Philadelphia department store, healthy except for one odd thing: his arms and legs are broken. Flash forward to the present day: David Dunn (Willis) is riding the Spirit of Philadelphia train back home from New York. Though married, he flirts awkwardly with a young woman. Then--

Our Pick: A-

Dunn awakes in a hospital emergency room. He is told that he is the lone survivor of a catastrophic train derailment. The odd thing is that he doesn't have a scratch. Dunn reunites with his loving son, Joseph (Spencer Treat Clarke), and estranged wife, Audrey (Penn). After attending the memorial service for the other victims, Dunn discovers an anonymous note on stationery marked "Limited Edition." It asks him: "How many days of your life have you ever been sick?" Dunn returns to his job as a university stadium security guard, but is troubled by the question. When he seeks the answer, he discovers that no one has a memory of his ever being ill.

With Joseph in tow, Dunn tracks down the writer of the note: Elijah Price (Samuel L. Jackson), a comic-book fanatic and the proprietor of a comic-book art gallery called "Limited Edition." Price suffers from a rare ailment, osteogenesis imperfecta, which has given him extremely brittle bones. He has suffered 54 fractures in his life and now walks with a cane. Price has developed a theory: Perhaps he has a counterpart, someone with an unusual ability to withstand harm. He has watched news accounts of disasters for years, waiting to hear the phrase "lone survivor who miraculously escaped injury." He believes Dunn may be that man, and that he may have a calling of which he's unaware.

Dunn was hoping that Price might hold the answer to something, an answer that would remove his persistent melancholy. But instead, he believes Price is crazy. That is, until he begins to consider the possibility that Price may be onto something.

Shyamalan's sophomore secrets

Unbreakable is writer/director Shyamalan's much-anticipated follow-up to his blockbuster hit, The Sixth Sense. As with the previous movie, the filmmaker has taken great pains to keep the plot of Unbreakable a secret to preserve its mysteries. Shyamalan has said that the film is about faith: "that once you bring your mind to a place of believing, things open up for you that you can't possibly imagine." It may surprise viewers to learn exactly what he's talking about here.

But the secrecy works to good effect. Unbreakable is full of surprises, starting with an opening title card that contains inexplicable details about comic-book collecting. It would be unfair to reveal other twists and turns, except to say that Unbreakable lives up to its predecessor with a story that defies easy categorization.

To anyone familiar with the earlier hit, Unbreakable is recognizably the work of the same artful director. It shares the same location, the same burnished cinematography and the same sense of gritty reality. As with The Sixth Sense, Unbreakable also reveals its carefully constructed story bit by bit in finely crafted scenes filled with visual and auditory motifs. Sudden flashes of color augur important themes. A key character's actions are foreshadowed with the use of inverted images. Price's fragility is symbolized by often depicting him in glass reflections. The dialogue is fresh and original.

If Unbreakable has any flaws, it is only in comparison with his earlier work. Though Shyamalan tries again to ground the fanciful story in the realities of a rocky marriage, Unbreakable fails to achieve the same emotional resonance. And while Unbreakable succeeds in layering suspenseful moments, it doesn't always pay off with the same visceral shocks as does Sixth Sense. Indeed, though viewers may appreciate the care with which the film has been made, others may find that some sequences drag.

Willis gives another memorable performance as the troubled Dunn, and Jackson disappears inside the possibly crazy, rail-thin prophet, Elijah. Clark, who plays Dunn's son, Joseph, is adequate for the role, but he's no Haley Joel Osment.

Yes, there is a surprise ending, and no, it's doubtful you'll see it coming. -- Patrick

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