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The Tranquility Wars

Space pirates battle a totalitarian government in order to save the soul of the future

* The Tranquility Wars
* By Gentry Lee
* Bantam Books
* Hardcover, Dec. 2000
* $23.95
* ISBN 0-553-09008-9

Review by Paul Di Filippo
T wenty-year-old Hunter Blake, a trained paramedic who aspires to full doctor status, has lived all his life in a small, sheltered community on the asteroid Cicero. Cybernetic mining machines there quarry the planetoid for ores to supply the Federation of Independent Space Colonies (FISC), an authoritarian government whose archrival is the USDC (United Democratic Space Colonies). Apolitical, with a narrow worldview, Hunter hopes only to attend college on Mars, where perhaps he can resume his old relations with his girlfriend from schooldays, the gorgeous Tehani Wilawa, who is now, for reasons of poverty, reluctantly serving as a high-class escort in the Martian entertainment district called Sybaris.

Our Pick: C+

A return visit by the glamorous and infamous Tehani to Cicero coincides with the receipt by Hunter of an FISC-sponsored award, a prestigious scholarship to Mars. After rekindling their affair, the two young adults board a space freighter for the red planet. Unluckily, their craft is overtaken and hijacked in transit by a group of pirates who call themselves "Utopians." Hunter and Tehani are held for ransom while the other passengers are set safely adrift in a lifeboat. After a colorful stop at a rough pirate trading station, the two abductees find themselves on the secret asteroid headquarters of the Utopians. Here is where Hunter's real education begins.

As the most qualified medical person among the pirates, Hunter is made head of their infirmary. He begins to learn more of the pirates' libertarian philosophy and lifestyle. The responsibilities given to him cause him to mature rapidly, as does a serious affair with his teenaged assistant, Ursula, who eventually becomes pregnant with Hunter's child. But when Tehani is ransomed back to Mars, Hunter feels conflicted. Eventually, he convinces the grateful leader of the Utopians to grant him his freedom.

Hunter heads to Mars in a "stolen" ship, masquerading as an escapee from the pirates. But the authorities suspect the hidden story of Hunter's "collaboration" with the pirates, and he soon finds that his experiences have unfitted him for "civilized" life--at least under the restrictive rules of the FISC.

Growing up among the stars

The young-adult novel of maturation among the stars boasts a respectable roster of titles. Among others are almost all of Robert Heinlein's juveniles, dozens of Andre Norton novels, Alexei Panshin's Rite of Passage, David Gerrold's Jumping Off the Planet, and even to some degree John Varley's The Golden Globe. Gentry Lee--whose previous collaborations with Arthur Clarke on the Rama series exhibited a solid, if stolid imagination--weighs in with just such a book here. But in its old-fashioned tropes it fails to advance the form by much, if at all.

Alluringly although misleadingly titled (no war ever actually occurs), and set in the 2400s in a colonized Solar System whose static and meager accomplishments resemble a more optimistic writer's projection for our next fifty years, Lee's novel is resolutely mundane. All vividness and sense-of-wonder have been determinedly blanched from his tale, perhaps in a misguided quest for greater mimesis. Given Lee's scientific background and his NASA experience, his portrait of life in space indeed has a certain heft and believability. But the inclusion of disturbingly archaic terms such as "Nazis" and "movies"--much as if a person in the year 2000 were to casually refer to "Jacobites" or "papyri"--and a generally low level of biotech (partially explained by a legislated ban) and other cutting-edge sciences renders this a novel that could have appeared--with only a few cuts in the sex scenes--in the pages of a 1942 Astounding.

And that's a shame, since Lee's characters are all likeable and intriguing, especially the oddball pirates. (Although naming the pirate chief "Lance" was not a wise decision.) Hunter's growth in wisdom and values rings true--but his whole tale might have taken place without major tinkering equally well during World War II or, for that matter, in the pages of Robert Louis Stevenson. Heck--Lee's pirates even have cybernetic parrots!

Lee's virtues--transparent prose, serviceable dialogue, well-structured plot--fail to compensate for a surprising timidity of imagination. Surely any bildungsroman from four centuries in our future will read much stranger and more exotic than his. -- Paul

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