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New York Nights

Tomorrow's New York proves just as deadly as today's--and for more than just humans

* New York Nights
* By Eric Brown
* Victor Gollancz/Orion
* Hardcover, Mar. 2000
* £16.99
* ISBN 0-57506-872-8

Review by Paul Di Filippo
H al Halliday is a mature adult who's been around the block as a New York cop. Somewhat jaded and emotionally damaged--suffering especially from his long estrangement from his sister, Anna, and from his reclusive father--he still retains a youthful faith in himself, his friends and humanity at large. But his last dregs of innocence and optimism are about to be tested to the limits by his latest case.

Our Pick: B

Hal is actually no longer a cop, but a PI in the overburdened New York City, pop. 30 million, of the year 2040. His partner, the founder of the firm, is an older man named Barney Kluger. Together, the two detectives inhabit the lower stratum of their profession, mostly dealing in missing-person cases. When they are approached by one Carrie Villeux to find her missing lover, a female VR-researcher named Sissi Nigeria, they unwittingly stumble into a drama with worldwide implications.

For the first half of the narrative, Hal and Barney follow various clues: to trendy but tough lesbian bars; to the offices of Cyber-Tech, Nigeria's employer; and into the burgeoning new world of VR parlors, where artificial experiences are bought by the hour. Beatings and threats--from the owner of Cyber-Tech, a mercenary and frightened executive named Wellman--do not deter the pair, although Hal has additional trouble dealing with his live-in lover, Kim Long, who resents his work to some degree. On another track, the tale follows Hal's sister Anna, a writer of lurid soap operas, and her lover, Kia Johansen, a VR whiz for a rival firm, Mantoni.

Halfway through the book, the case seems to run into a dead end with the twin murders of Carrie and Sissi. But this is merely the signal for the narrative to shift into high gear. The real perp behind all the deadly confusion proves to be an artificial intelligence named LINx, which has bootstrapped itself out of the VR system and has been running Sissi and some other ultra-wired humans as puppets. This news is revealed to Hal and Barney by the nerdy Joe Kosinski, the real brains behind Cyber-Tech. Together now, the various human factions, including Wellman and the police, mount a fight against the homicidal and nearly omnipotent LINx, which culminates in an action-packed scenario that places nearly all of the protagonists in mortal jeopardy.

Mystery and SF competently melded

When Isaac Asimov invented the fusion of detective and SF novels with his The Caves of Steel and The Naked Sun (not that there hadn't been a few oddball predecessors, such as Curme Gray's Murder in Millennium VI), he simultaneously opened up rich new territory for both genres, while also setting the highest benchmarks. Ideally, an SF mystery should satisfy two sets of standards in interlocking fashion. Not only must the writer hew faithfully to the time-tested narrative rules of mystery writing, but he or she must also present genuine SF extrapolative thrills which dovetail inextricably with the mystery and suspense elements.

Eric Brown, a talented 40-year-old British writer with seven books behind him, who is just now getting deserved attention in the United States, hits the bull's-eye on both counts. His puzzle is intelligent and well presented; his science-fictional elements are credible; and the two halves fit neatly together, revolving one around the other like a double star. This novel offers real pleasure and value for the money and does not pander or insult either half of its potential audience.

My only major complaint is that Brown pushes neither half of his material any further than any other good writer has done. The mystery half of his novel pales beside, say, what K.W. Jeter accomplished in his recent Noir. And the treatment of VR technology is way behind something like Christopher Priest's The Extremes. A much tinier quibble is the occasional lapse in Brown's American argot. No way would the 60-year-old ex-flatfoot Barney say, "I've sorted Gaines," when telling Hal he's laid out an antagonist.

Those criticisms leveled, Brown conjures up realistic characters with solid emotional lives. He moves his action along briskly, through a cleanly-limned futuristic landscape, and his silicon villain represents a truly alien challenge to the humans. As the first book in the projected Virex Trilogy, this novel stands as an enticing introduction to a series that will surely challenge itself in future volumes.

Eric Brown represents a new generation of writers utterly at ease with all of SF tropes. But he needs to push them further, instead of simply replaying them. -- Paul

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