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Mutant X

When a government agency plays god with evolution, the genetically superior must make war to save their own

*Mutant X—"The Shock of the New"
*Starring John Shea, Tom McCamus and Lauren Lee Smith
*Created by Avi Arad
*Executive produced by Avid Arad, Rick Ungar, Jay Firestone and Adam Haight
*Syndicated
*Premieres the week of Oct. 1

By Kathie Huddleston

S ays the animated broadcaster at the beginning of Mutant X: "A teen-age girl falls six stories and walks away unscathed. A man bursts into flames with no signs of burns. One thing's for sure, it's getting weirder out there every day." But that's only the beginning for this new syndicated series about what happens when nasty government types experiment with the genetic code. Our Pick: C+

In "The Shock of the New," the first episode of the two-part series premiere, a woman named Emma (Smith) runs through a crowd and bumps into a thief named Brennan (Victor Webster). Suddenly, in his mind, he can see and feel her fear. She runs off, finally ending up in an empty street. Terrified, she looks behind to see her pursuers close behind.

Out of nowhere, two people with amazing powers appear and take on the bad guys. The woman, Shalimar (Victoria Pratt), seems to have the speed and power of an animal. The man, Jesse (Forbes March), can make himself solid or intangible at will. They dispatch her pursuers and save Emma, quickly whisking her away to a mountain stronghold called Sanctuary.

Sanctuary is the headquarters of Mutant X. The group is led by a mysterious man named Adam (Shea), who tells her she was being chased by men from Genomex, a biotech firm that was responsible for secret government experiments which played god with the genetics of 1,000 unsuspecting people. Now, those "children of Genomex" are evolving and discovering they have extraordinary and terrifying powers. Beyond that, they are being hunted by the Genetic Security Agency, a group which seeks to either turn them into operatives or kill them. Adam and his organization, Mutant X, are dedicated to rescuing and protecting these new mutants from the forces that would control or destroy them.

Emma is confused, and isn't sure what to do. She tells Adam she doesn't have any powers, and she doesn't understand why they are after her. In the meantime, Brennan the thief is about to discover his power over electricity may not be able to help him when the GSA sets its sites on him, and Genomax security chief Mason Eckhart (McCamus) has plans of his own involving the direction the biotech firm should take in recovering and utilizing these special "children." When Emma takes off, Adam suddenly finds himself in a race to reach these new mutants before it's too late.

A familiar dip in the gene pool

It seems mutants have never been more popular. It's been just over a year since the release of the film The X-Men, and now syndicated TV and Marvel Studios step up to offer Mutant X, a TV series about genetic experimentation, not genetic evolution, and that seems to be the fine and timely line that's been drawn between the two. The two stories are quite different in many ways, and Mutant X should quickly establish itself as a separate entity.

Mutant X is filled with action, special effects and cool camera shots, and the series tackles the themes of genetic experimentation and government conspiracy almost as though it created the concepts. What lifts the series above normal fare is the acting by veteran character actor John Shea and the able young cast. They are clearly the strength of the series. McCamus is especially effective as the evil GSA security chief who just happens to look a lot like Andy Warhol.

The series opener, "The Shock of the New," provides a fairly good introduction to the series as it draws the black-and-white lines between the GSA and Mutant X. We discover what each character's power is and what their initial motivations are. While the characters are fairly well drawn, Mutant X is a bit too down to earth.

However, where Mutant X falls down is in a misguided attempt to copy Matrix-style action with the use of slow motion and pounding music. The music is annoying and the slo-mo is used for just about everything the creators want to emphasize. If the creators of Mutant X are going to copy a style, it'd be nice if they did it well.

Mutant X has the potential to provide great commentary on the ethical and scientific questions of today. However, it seems unlikely that the series will break away from the traditional good guy/bad guy storylines where government conspiracies lurk around every corner and right and wrong are crystal clear. It'd be nice if there were more to this series, but it doesn't seem likely. — Kathie

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Also in this issue: Hearts in Atlantis, Gene Roddenberry's Andromeda, Buffy the Vampire Slayer and America Loves ... Star Trek




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