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February 29, 2008

Penelope

Much ado is made over a girl with a pig nose, but Ricci looks good no matter how wide her nostrils are
Penelope
Starring Christina Ricci, James McAvoy, Catherine O'Hara, Peter Dinklage, Richard E. Grant, Simon Woods and Reese Witherspoon
Written by Leslie Caveny
Directed by Mark Palansky
Summit Entertainment
Rated PG
Opens Feb. 29
By Mike Szymanski
A witch casts a curse on the upper-crust Wilhern family when ancestors refuse to allow their son to be married to a common servant girl. The curse says that any of the girls born into the Wilhern clan will bear a horrible disfigurement until someone loves her and marries her. After nearly a century of boys, a girl, Penelope Wilhern (Ricci), is born with a pig nose. They try surgery and makeup, and finally the child's overbearing mother (O'Hara) and snobby father (Grant) fake her death and sequester her inside the house to protect her from public scrutiny and ridicule.
The story is completely predictable.
 
Finally, Mother devises a plan to have blue-blooded suitors sign a nondisclosure agreement for the chance to meet and fall in love with Penelope. But, as soon as she shows her face, the young guys run screaming from the house, even jumping through the window to get away. One of those potential suitors, Edward Vanderman (Woods), goes to the police and the tabloids telling the outlandish story. No one believes him, except a disgruntled reporter named Lemon (Dinklage), who has had his share of run-ins with the Wilherns.

Lemon hires a down-on-his-luck young aristocrat named Max (McAvoy) to woo Penelope and help pay down his gambling debts. What Max doesn't expect is that he will eventually fall in love with the person behind the hideous face. But when she finds out that Max was really paid to be there in the first place, Penelope storms out of the house and into the cruel, real world, where she befriends a crazy, carefree girl named Annie (Witherspoon).

With her parents desperately looking for her, and Max heartsick at the way he treated her, Penelope ends up facing some realities of her own while trying to make it without them.

Loses by a nose
Perhaps this movie would be more, uh, credible (?) if Ricci didn't look so cute with that nose on—maybe if she resembled the pig-faced nurses in that horrific Twilight Zone episode? The potential suitors look as if they're horrified, when in reality many of us have dated people with scarier faces, and there's a lot more to appreciate about Ricci anyway.

O'Hara, who's fantastic as the frantic mom in Home Alone, way overdoes it here as the outwardly caring but intensely cruel mother who also can't seem to look beyond the nose.

Witherspoon is in a small supporting role that doesn't come in for a long time, and her character is a bit off-putting at first. The Oscar-winning actress took a back seat in this film because she's one of the producers for Type A Films and this is their first independent production.

The story is completely predictable. There's hardly a moment where the next scene couldn't be figured out, and the characters are all so over-the-top that Penelope is the most normal person in the bunch. Director Mark Palansky previously directed the short fairy-tale-like film The Same, starring Josh Hartnett, and that led Universal Studios exces to this project, but it's not clear what vision he might have had for the film.

It's not really clear who this movie is intended for. And who's just going to be looking at Chrisitina Ricci's nose anyway? —Mike